PRESS RELEASE: Subtle Degrees Announces Northeast Tour Dates, including March 4 at Union Pool
March 4 at Union Pool:
A Dance That Empties
Album Release Show
featuring live performance of debut album from
Subtle Degrees (Travis Laplante and Gerald Cleaver)
Sunday, Mar. 4 - 8:00pm
LPR Presents at Union Pool
Brooklyn, NY
TICKETS
album out February 23
on New Amsterdam + NNA Tapes
pre-order via Bandcamp (CD + digital) and
NNA tapes (vinyl)
watch album trailer
Subtle Degrees: Gerald Cleaver (L) and Travis Laplante (R)
Credit: Adi Nachman
New Amsterdam Records is excited to announce the record release show forSubtle Degrees, March 4 at Brooklyn's Union Pool. The new two-musician ensemble consists of Travis Laplante (tenor saxophone) and Gerald Cleaver (drums), and their debut album, A Dance That Empties, will be co-released on Feb. 23 by New Amsterdam Records and NNA Tapes.
This concert is the second in a series of events co-presented by New Amsterdam and (Le) Poisson Rouge throughout 2018, marking the 10th anniversary of the two organizations, both born with the mission to elevate the new music community.
Subtle Degrees Live Performances:
February 23, 2018 — Burlington, VT @ Light Club Lamp Shop
TICKETS / MORE INFO
February 24, 2018 — Putney, VT @ Next Stage Arts Project
TICKETS / MORE INFO
February 26, 2018 — Amherst, MA @ Hampshire College
TICKETS / MORE INFO
February 27, 2018 — Providence, RI @ Machines with Magnets
TICKETS / MORE INFO
February 28, 2018 — Northampton, MA @ A.P.E. Gallery
TICKETS / MORE INFO
March 1, 2018 — Portland, ME @ Space Gallery
TICKETS / MORE INFO
March 4, 2018 — Brooklyn, NY @ Union Pool
TICKETS / MORE INFO
A Dance That Empties is Travis Laplante's latest album-length composition written for Subtle Degrees, a new two-musician ensemble consisting of Laplante (tenor saxophone) and Gerald Cleaver (drums). The duo's uncategorizable sound evokes everything from contemporary classical music, avant garde jazz, minimalism, technical metal, and sacred world music. Laplante is also the founder/composer of saxophone quartet Battle Trance and the ensemble Little Women.
A Dance That Empties is an extremely demanding composition that pushes the players to the limit both technically and physically, while the raw, vulnerable instrumentation makes for an intimately emotional experience for both performers and listeners.
A Dance That Empties is the culmination of a very long musical relationship. In 2001, when he was only 18 years old, Laplante played a concert at New York’s Knitting Factory, then a pre-eminent mecca for adventurous music of all kinds. Cleaver was in the audience, and came up to Laplante afterwards, handed him his phone number and said they should play together sometime. They soon did, “and I felt a very intimate and spiritual connection with Gerald that feels more alive than ever today,” Laplante says. “I’ve learned a tremendous amount from Gerald and have long considered him one of my favorite living improvisers.”
The two have performed together various times over the ensuing 17 years, but Laplante never felt he was quite ready to record with Cleaver. “It got to the point where I took a multiple-year break from playing with him because I felt like I didn’t have enough to bring to the table,” says Laplante. “I needed to practice so I could have more to give to our musical relationship.” Then, in the fall of 2016, Laplante received a commission to compose a piece to be performed at Roulette in Brooklyn the following spring. “I knew that this was the perfect opportunity to return to this relationship with Gerald.” And so Laplante began composing an epic-scale work work with Cleaver’s rhythmic virtuosity in mind.
Inspired by the longer durational forms of spiritual ceremonies, A Dance That Empties is a continuous journey that unfolds over 43 minutes, with musical motifs that foreshadow, recur, and evolve. The piece refines sonic territory that Laplante has pioneered in his celebrated saxophone quartet Battle Trance, as well as his solo saxophone work, utilizing long passages of circular breathing and other extended techniques to create specific and yet ineffable emotional and sonic resonances. A Dance That Empties, as the title implies, adds the distinctly new element of complex rhythmic pulses precisely and expressively executed by Cleaver, that compel listeners to lose themselves in the hypnotically repetitive yet subtly shifting grooves.
With A Dance That Empties, Laplante and Cleaver throw themselves into unknown territory, delving further into the devotional intensity that has long distinguished both their work.
Travis Laplante on Subtle Degrees:
"Playing in this duo with Gerald is by far the most exposing musical experience I've ever had. I think it feels so raw and vulnerable because it has a similar nakedness to playing solo, while at the same time I'm completely relying on and needing to stay connected with Gerald, no matter what. It requires 100% trust in another person, as well as myself. Our respective parts in A Dance That Empties are so meticulously interwoven that it can potentially be disastrous if one of us makes even a tiny mistake. It feels like the riskiest piece I've ever written in terms of the psychological, emotional, physical and sensory demands."